TAGsoton next week. I’m presenting in session 5 with my friend and collaborator Stefan Gant from the Department of Fine Art in the University of Northampton.
We will explain more in the session I’m co-Organising with Gareth Beale who is Digitally Creative in Archaeology at the University of York
If you are at TAG on Wednesday 21st December 2016 Please join us in Session 5 & 10
S5. Digital Visualisation beyond the Image: Archaeological Visualisation Making in Practice
This is the abstract for our paper
Different expressions of the same mode: apprehending the world through practice, and making a mark
In this paper we discuss pertinent features of shared experience at the excavations of an Iron Age Hillfort at Bodfari, North Wales, referencing artist, archaeologist and examples of seminal art works and archaeological records resulting through the collaboration. We explore ways along which archaeological and artistic practices of improvisation become entangled and productive through their different modes of mark making. We contend that marks and memories of artist and archaeologist alike intra-actively emerge through the object of study, the tools of exploration, and the practitioners themselves, when they are enmeshed in the cross-modally bound activities of remote sensing, surveying, mattocking, troweling, drawing, photographing, videoing, sound recording, and so on. These marks represent the signatures of the often anonymous practitioners, the voice of the deposits as well as the imprint of the tools, and their interplay creates a multi-threaded narrative documenting their modes of intra-action, in short their practices. They occupy the conceptual space of paradata, and in the process of saturating the interstices of cognitive artefacts they lend probity to their translations in both art form and archive.
RTI of seminal artwork by stefan “Linear Phrasing, Gant, S. 2016. Card” Here I’m reappropriating my hand gestures and illuminating them virtually…