The hollow spaces which mark the final resting places of many hundreds of Pompeiians continues to fascinate and perplex me. These ‘voids’ are powerful testimonies to the final moments of the people who once lived and breathed in these spaces. Devoid of the mortal remains these voids are full of human existence. So what becomes of these spaces when you fill them with liquid plaster (gesso), when the layers are excavated, and the casts lifted?
The context is a void. What is the ontological status of the cast? What has the curator captured and conserved? Significant questions arise: when we fill the voids with material, are these immaterial contexts obliterated by the injected substance (e.g., gesso plaster) used to obtain casts? And, afterwards, when the cast is lifted and the void is ‘restored’, is the context reinstated? Additionally, if the cast had never been made, and the volcanic deposits simply trowelled away, the void would still be there occupying the same, original, space, but now unbounded and undetectable. Is it still there? I think so.
Another paradox raises its ironic head: excavation in this context is non invasive, at least until the dig ends and the trenches are reinstated. It would seems that it is only when then trenches have been backfilled that these contexts are finally obliterated.